The Salastina Music Society enriches minds, hearts, and our greater community through world-class and educational curated performances of chamber music. By providing listeners with a field guide to the vast, rich landscape of chamber music, Salastina feeds the curiosity of audiences of all types — from the classical music cognoscenti to new listeners of all ages.
With a repertoire spanning three centuries, including special priority given to premieres by living composers, Salastina’s compellingly guided tours allow the music to resonate more fully than it otherwise might in more traditional “sit down and listen” concert settings.
Salastina’s evolving repertory company is capable of presenting chamber music of every style, instrumentation, and historical period. Our artist roster comprises musicians drawn from Los Angeles’ rich pool of talent, from Los Angeles Philharmonic principals to opera stars to world-renowned soloists and chamber musicians.
Since its founding five years ago, Salastina has earned a national reputation for connecting audiences to classical music through its innovative and uniquely curated concert experiences. Salastina’s annual calendar typically includes over a dozen concert programs, educational initiatives, and special events; performances throughout California; guest appearances on other highly-regarded concert series; recording activities; and frequent national broadcasts on American Public Media’s Performance Today.
• To discovery and new music.
All great music — from classic to newly so to not yet so — bears intrepid exploration. This is the guiding principle behind our signature curated concert format.
Our popular Masterpiece Discovery series, hosted by KUSC 91.5 FM DJ Brian Lauritzen, delves even deeper into the questions we explore at all of our curated concerts by focusing on one specific masterwork at a time.
And just as we champion music that has stood the test of centuries out of a firm belief in its value, so do we advocate for the ever-evolving music of our time. By promoting new music that doesn’t compromise on originality, sophistication, or accessibility, we seek neither to pander to nor to alienate the listener. Since our debut concert in 2010, we’ve commissioned numerous works, including two for voice and chamber ensemble — which were premiered by opera stars Rod Gilfry and Elizabeth Futral, respectively. (For more information about our world-premiere recording with Elizabeth, click here.)
• To education.
Salastina performances feed the curiosity of listeners of all types inside the concert hall; the Salastina Academy works intensely with gifted young instrumentalists to prepare them for their place in it. Salastina musicians coach these young people from within the chamber group, culminating in a performance alongside them.
In February of 2014, we coached four young musicians through the seminal experience of studying, rehearsing, and ultimately performing a world premiere (by Salastina’s composer-in-residence Jeremy Cavaterra) for the very first time in their lives.
• To making meaningful connections with audiences.
If art is to make us feel more human, then stiff, arbitrary, and outdated rules — and a disconnect between performers, composers, and audience members — run deadly interference. We believe dressing up, connecting over some of the most masterful art ever created, and laughing out loud in a friendly and thought-provoking environment can all work hand-in-hand to make any special event just that: special!
Salastina artists don’t just sing and play beautifully; they also have a lot to say. Our guest performers and composers offer personal insight into their thoughts and experiences both during and after concerts — be it by speaking from the stage, connecting with audience members during post-concert FAQ sessions, or mingling at informal receptions.
- What’s more, we promote extra-musical ways of enhancing the concert experience, from gourmet post-concert receptions to collaborations with celebrity comics to intimate, hedonistic musical salons featuring the musically-inspired cuisine of highly regarded chefs. And in a break with tradition, our audience is encouraged to applaud freely, without worrying about whether or not it is the traditionally appropriate moment. (No ticket buyer should be implicitly required to temper his enthusiasm!)